Photoshop Tips Main

inner glow

 

This effect is created by placing a layer above the layer to which the effect is applied which is filled with partially transparent color that overlaps the content of the image below, slightly. The fill content from that layer looks like the illustration below (which was extracted from the example image at the bottom of this page), and is grouped with the layer it is applied to. This limits the visibility of the layer above to areas within the outlines of the underlying layer’s content.
Inner Glow effect, alone
This effect has quite a few variables that you can set.
Inner Glow dialog box
Here is the image I will use in the examples below, with an Inner Glow effect applied using the default settings. Use this for reference. All examples will have only one variable changed from the default settings.
Inner Glow with default settings

  • Blend Mode - As a rule, glows, or highlights will use the Screen blend mode. However, feel free to try other modes for unusual effects. Below is the example image using the Multiply blend mode.
  • Opacity - Glows, shadows, and highlights all need some transparency. Adobe seems to like 75 % for them all.
  • Noise - Adds random transparency variations. If you need texture in your glow, use this. The example below had a Noise setting of 50.
    Noise set to 50
  • Gradient or Color - This area doesn’t really have a name. You can pick one of the two choices via radio button. Choose this one:
    color glow
    to add a one color glow. Click on the color square to choose a new color (as I did, changing yellow to red).
    Choose this one:
    gradient inner glow
    and then pick a gradient by clicking on the little tiny down arrow to the right of the gradient thumbnail to add a multicolor gradient glow.
  • Technique - Offers the choices of Softer or Precise. As a rule, Softer is better. Precise is supposed to be better for adding glows to things with sharp corners and intricate details. Here is an example of Precise.
    Precise
 
  • Source - Choose Center or Edge. Center causes the glow to originate in the center of the image, and cover it, entirely.
  • Choke - This works in concert with the Size setting. It varies the proportion of fully opaque to transparency within the glow effect. The example below shows an Inner Glow with the Choke setting increased to 50.
    Choke of 50
  • Size - This determines the extent of the glow. The Choke setting will determine how much of this area is covered by more or less transparent color, but the Size setting determines the boundaries of the effect
  • Contour - Varies the shading within the glow. Try different ones for interesting effects. See the Contour page for more detailed information on contours. The example below used one of the Ring contours.
  • Range - Determines what portion of the contour is showing in the glow. This has unexpected results, so experiment with it to find settings you like.
  • Jitter - Adds random variations to the glow’s colors. You must be using a glow with at least two colors to see any effect. Since the default glow uses only one color (yellow), I switched to a Spectrum gradient glow to create the example below with a large Jitter setting.
    Specturm glow with Jitter
 

Here is the standard example image with a default Inner Glow effect applied.

And here is the Layers palette after the effect was deconstructed by choosing Layer > Layer Style > Create Layers.

Go to Bevel and Emboss

 

 

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