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Combining Images IIpage fourFrom here on its a matter of tinkering with the two images to try and make their tones, lighting, and colors match and blend. Since I was combining a color image with a black and white background, the measures I used were completely different, and would be wildly inappropriate for a color to color combination. For example, to get the apples colored edge to merge a little bit with the black and white background, I selected the apple by Ctrl-clicking on its layer name. I then chose Select > Modify > Border and entered 2 px in the Border dialog box. This created a two pixel wide double border around the apple within which I could make adjustments. I chose Layer > New Adjustment Layer > Hue/Saturation. In the Hue/Saturation dialog box I made a minus 50 % Saturation adjustment. You can see the effect in the magnified view of the border, below.
This would be about the worst possible thing you could do to a color on color image. The Select > Modify > Border command should be used sparingly as it frequently will result in obvious halos. If I had used the feathering technique I showed you in the first Combining Images section, I would have ended up with a fuzzy apple colored halo around the apple, since there is no color for it to merge with from the background. |
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Older Tutorials Elements Basics Reference: Elements Tools Reference: Elements Palettes How Do I...? Gotcha Pre-Beginner Pre-Beginner II Why Layers? Holes Fade In Playing With Styles Learning Effects Redeye Removal Artistic Filtering Symmetrical Flowers Simulated Alpha Channels Layer Masks Multilayer Masks Displacing Textures |
Suggestions for things you can try for blending, and merging color on color are:
Remember that adjustment layers affect all layers below them in
the Layers palette. If you make
sure to have your topmost layer selected before you choose Layer >
New Adjustment Layer, it will be created at the top of the stack. In any
case, you can always drag the adjustment layer to where you want it. I hope this has not been too confusing for you. I want my tutorials to
be for beginners, and this is a little bit more than that. However, it
seemed unfair to leave you with only half the technique for combining
images, since the first tutorial did not cover overlaps at all. If you are particularly interested in learning how to make great composite images, please take a look at my CD-ROM, Shadows and Light; Advanced Compositing in Photoshop. Thanks. If you would like to download a zipped pdf file of this tutorial along
with the preceding Combining Images lesson, click on the link below and
save it to your hard drive. This .pdf does not include the third
tutorial, Combining Images III. |
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Copyright © 2004 by Jay Arraich.
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