Make a Frame

page three
I hope you will try creating your own custom gradients to make your own, original frames. Here are a few tips on how the gradient tones work.
     A light, dark, light sequence of color stops, with a moderate distance between stops makes a rounded contour. A very light stop, right next to a very dark stop makes a corner, or abrupt edge. Two stops of the same color, next to each other make a flat surface. Moving the color midpoint (the little diamond that appears on either side of a selected color stop) will change where the gradient transition primarily occurs. Pushing the midpoint very close to the stop on its right will make a long swooping contour with an abrupt up or down turn after the midpoint.
     If you have a digital camera, or can scan photos from a regular camera, you can make close-up photos of real frames and open them in Photoshop. Then choose Image > Adjust > Desaturate. If the frame contours are not very clear, try using Image > Adjust > Brightness/Contrast and up the contrast. Enlarge a section of the frame edge. You also can drag guides to help you define the contours. To add guides, choose View > Show Rulers. Click on a ruler, and drag onto the image—a guide will be dragged with your pointer, and you can put it where you want it. Here’s an example of a frame section with guides.
frame section with guides
Next, click on the gradient tool in the toolbox, and then click on the gradient thumbnail as we did at the start of this tutorial. Select a color stop. Move your cursor out of the dialog box. It will become an eyedropper. Go to the gray frame image you have made, and click on the left-most tone. The selected gradient color stop will become that color. Proceed across your new gradient by adding new color stops, and then clicking on the gray frame image tones. Try and add stops wherever there are distinct tonal transitions, or, to make a flat area, where you want the tones to remain the same. Drag the stops to reposition them along the bottom of the gradient bar. Drag the color midpoints, also. Don’t forget to save your custom gradients in the Preset Manager.

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Here are some snapshots of real frames to give you some ideas.


If you are a true perfectionist, you should probably try and darken the bottom of the frame, under its most prominent ridge in much the same way we lightened the top of the frame. However, I tried doing this, and it really didn’t look that much better. I also tried various techniques for adding texture, or wood grain to the frame, and I didn’t like the results at all. You may have better results than I did.
     Last, you don’t have to be realistic. You can make a frame from any gradient at all. You might want to try adding color stops at random in the gradient editor, and just see what you come up with, by accident.
Have fun.

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If you would like to download a zipped pdf file of this tutorial, please click on the link below, and save it to your hard drive.

[Please note: Not included in the zipped file, so please note—Photoshop 7 users will not find the Brush Dynamics option used in this tutorial to Fade steps. In the new brushes palette, you need to choose the Other Dynamics panel on the lower left side of the palette. You'll then see an Opacity Jitter slider at the top of that dialog. Leave the slider at 0, but open the Control menu and choose Fade. You'll then be able to enter the number of steps as with the old dialog.]
Make a Frame pdf
191 KB
If you don’t know how to expand a zipped file or use Acrobat Reader, download the file, above, and then go here to find instructions

I made a tutorial about a month before I made this one that tells you how to add a frame, plus a beveled mat to your image. It also includes instruction on how to make a much quicker, but plainer frame than those created in this tutorial. It is only available as a zipped pdf file. If you would like to download it, click on the link below and save it to your hard drive.
Frames pdf
227 KB

 
 


above real frame

below Here is the frame we made
large frame with Soft Light highlight

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Copyright © 2004 by Jay Arraich.
All rights reserved.
All photographs copyright ©2004 by Jay Arraich
jay@arraich.com
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