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Combining Images IIIpage twoAfter dragging the woman onto the bottle picture, shes in the right position, but shes definitely not in the bottle. |
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| Tutorials Brushes in 7 Using PS7 Brushes 7 Basics 7 Reference: Tools 7 Reference: Palettes Reference: Filters Reference: Effects Selections Channels Basic Layers Basic Pen How Much? Color Management Color Correction Combining Images Combining Images II Combining Images III Compositing in Photoshop Perfect Blend Multicolor Fill Curves, Levels, or Brightness/Contrast? Dodge and Burn Duotones Styles On Masks Organic Textures Abstract Background Make a Frame 3D Wire Text Doodling |
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Older Tutorials Elements Basics Reference: Elements Tools Reference: Elements Palettes How Do I...? Gotcha Pre-Beginner Pre-Beginner II Why Layers? Holes Fade In Playing With Styles Learning Effects Redeye Removal Artistic Filtering Symmetrical Flowers Simulated Alpha Channels Layer Masks Multilayer Masks Displacing Textures |
With her layer selected
in the Layers palette, click the
Add Layer Mask button at the bottom of the Layers palette. When you add a layer mask, the layer automatically goes into mask edit mode. If you later want to edit the mask again, click on the mask thumbnail on its layer and then check to make sure the mask icon is showing to the right of the eyeball icon on that layer.
When in mask edit mode your default colors are reversed. Pressing the D key (to restore default colors) will get you white as the foreground color and black as the background color which is the reverse of the defaults when in image edit mode. Press the D key and then press the X key to make black your foreground color. Pick the brush tool in the toolbox (formerly known as the paintbrush). From its options bar, choose a soft brush and set brush Opacity to 30 %. Set Flow to 100 % (Photoshop 7, only). With the womans layer still selected in the Layers palette, and in mask edit mode, paint on your picture in all areas where the bottle shows visible detail on its front. This includes the word Ball as well as the specular light flairs and reflections. If you follow detail from the edges of the woman inwards, you should be able to track where the masking should go. Wherever you paint with black on the mask, the woman will be hidden and the bottle (on the layer below) will be visible. Because you are painting with reduced opacity, you will need to stroke repeatedly to gradually reveal the bottle. Use your discretion to decide how much of the woman should be visible. If you paint too much (the bottle starts to look too opaque), press the X key on your keyboard to switch your foreground color to white, and paint to remove the mask. Removing the mask restores visibility to the woman and hides the bottle on the layer below. Black on a mask completely hides whatever is on the layer that it is masking. White completely reveals whatever is on the layer that it is masking. Gray partially hides whatever is on that part of the layer that it is masking. By painting with black at 30 % Opacity, you are really painting with gray but by repeated stroking over the same spot, can build up the mask to pure black. If you painted with gray (rather than black at lowered opacity) you would not be able to gradually increase the density of the mask. Here is what my mask edits look like when viewed without the image (Alt-click the mask thumbnail to see the mask by itself). This is a cropped screen capture. The edits were limited to the area of the bottle that was supposed to be in front of the woman.
Here you can see the Layers palette with the mask and its edits.
Below you can see the composite at this point. She does look like shes in the bottle, but she is too bright. If she is supposed to be in a dark cupboard she shouldnt be nearly so visible. Ill work on that, next. continue on next page |
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Copyright © 2004 by Jay Arraich.
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